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Compositions by Johann Sebastian Bach printed during his lifetime (1685–1750) include works for keyboard instruments, such as his Clavier-Übung volumes for harpsichord and for organ, and to a lesser extent ensemble music, such as the trio sonata of The Musical Offering, and vocal music, such as a cantata published early in his career.
List of compositions by F. Melius Christiansen; List of compositions by Domenico Cimarosa; List of compositions by Rebecca Clarke; List of compositions by Muzio Clementi; List of compositions by Eric Coates; List of operas by Carlo Coccia; List of compositions by Aaron Copland; List of compositions by John Corigliano; List of compositions by ...
The works are named according the K Catalog. Other sources may have different titles due to Cyrillic romanization conventions. This list contains the following information in column order from left to right: K Catalog number, opus number, name of the composition, year the composition was finished, genre, notes, and references.
Print/export Download as PDF; Printable version; ... This is a list of compositions by the American composer Amy Beach (1867–1944), mostly issued ...
The compositions listed below are grouped thematically, i.e. by type of composition. Only relatively few of Mozart's compositions have opus numbers, as not so many of his compositions were published during his lifetime, so numbering by opus number proves quite impractical for Mozart compositions.
Year written First publications Performances Authorship notes All's Well That Ends Well: 1601–1608 First published in the First Folio: Believed to have been performed between 1606 and 1608. No recorded performances before The Restoration. The earliest recorded performance was in 1741 at Goodman's Fields, with another the following year at ...
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A chronology of works is especially difficult because of missing and sometimes misleading dates; [1] as Elliott Carter put it in 1939: "[Ives] has rewritten his works so many times, adding dissonances and polyrhythms, that it is impossible to tell just at what date the works assumed the surprising form we know now." [2]