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Draft translations into Welsh by J. Alban Morris of Henry VIII, The Tempest, 'The Rape of Lucrece', 'A Lover's Complaint', 'The Passionate Pilgrim', 'The Phoenix and the Turtle' and the sonnets. Notes by J. Alban Morris for Welsh translations of The Merry Wives of Windsor, Macbeth, The Tempest etc.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
Macbeth (Italian pronunciation: [ˈmakbet; makˈbɛt]) [1] is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, Macbeth was Verdi's tenth opera and premiered on 14 March ...
It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to besiege it. Macbeth, the play's protagonist, is confident that he can withstand any siege from Malcolm's forces. He hears the cry of a woman and reflects that there was a time ...
Dorothea Tieck (March 1799 – 21 February 1841) was a German translator, known particularly for her translations of William Shakespeare. She was born in Berlin to Ludwig Tieck and Amalie Alberti. She collaborated with her father and his Romantic literary circle, including August Wilhelm Schlegel and Wolf Heinrich Graf von Baudissin .
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
There are "fairly clear allusions to the play in 1607." [9] The earliest account of a performance of the play is April 1611, when Simon Forman recorded seeing it at the Globe Theatre. [10] The text of Macbeth which survives has plainly been altered by later hands. Most notable is the inclusion of two songs from Thomas Middleton's play The Witch ...