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The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
With Michelangelo providing drawings for the latter work, Medici was rekindling the rivalry initiated a decade earlier between Michelangelo and Raphael, in the Stanze and Sistine Chapel. [4] From 11 to 12 December 1516, Michelangelo was in Rome to discuss with Pope Leo X and Cardinal Medici the facade of the Basilica of San Lorenzo in
It was commissioned by Cardinal Giulio de' Medici, then Archbishop of Narbonne and later Pope Clement VII (r. 1523–24), in what was effectively a contest engineered by Michelangelo, using Sebastiano as "a kind of deputy", [1] or "cat's paw", [2] in a rivalry between the two and Raphael, whose Transfiguration (now in the Vatican Pinacoteca) is ...
Together with Michelangelo and Leonardo da Vinci he forms the traditional trinity of great masters of that period. He was enormously prolific. He was enormously prolific. Despite his early death at 37, a large body of work remains, especially in the Vatican, where Raphael and a large team of assistants, executing his drawings under his ...
Other figures in that and later paintings in the room show the same influences, but as still cohesive with a development of Raphael's own style. [41] Michelangelo accused Raphael of plagiarism and years after Raphael's death, complained in a letter that "everything he knew about art he got from me", although other quotations show more generous ...
Pietro Maria Bardi, former director of the museum, on the recommendation of Mario Modestini, his associate at the Studio D'Arte Palma in Rome, took the responsibility of adding the Kinnaird Resurrection to the body of works of Raphael, based on the existence of two preparatory studies for the composition, starting a heated debate about its ...
Fortitude's seated posture and the folds of her clothing are copied directly from a modello Raphael had seen of Michelangelo's Moses. [7] Prominently seated in the center is Prudence. On her breast is an effigy of a winged Gorgon to ward off deceit and fraud. Janus-like, her head has two faces shown in profile. Her youthful feminine face looks ...
Raphael at the Vatican (French: Raphaël au Vatican) is an 1832 history painting by the French artist Horace Vernet. It depicts an encounter in Rome between the Renaissance artists Raphael and Michelangelo. It was inspired by a passage in the biography of Raphael written by Quatremère de Quincy.