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For women, the styles of hats changed over time and were designed to match their outfits. During the early Victorian decades, voluminous skirts held up with crinolines, and then hoop skirts, were the focal point of the silhouette. To enhance the style without distracting from it, hats were modest in size and design, straw and fabric bonnets ...
Later, in collaboration with Roger Fry, Woolf also edited the first major collection of Cameron's photographs, Victorian Photographs of Famous Men and Fair Women, published in 1926. [3] [28] In the introduction to this collection, Fry wrote that Cameron's allegorical photographs "must all be judged as failures from an aesthetic viewpoint".
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Elizabeth Eleanor Siddall, named after her mother, was born on 25 July 1829, [5] at the family's home at 7 Charles Street, Hatton Garden, [6] at the time in the parish of Saffron Hill, Hatton Garden, Ely Rents and Ely Place in central London.
The category is for women of significance in the Victorian era of British history, from 1837–1901. It is a subcategry of People of the Victorian era, and should only contain women active in Britain or in the British Empire .
Scholarly discussions of Victorian women's sexual promiscuity was embodied in legislation (Contagious Diseases Acts) and medical discourse and institutions (London Lock Hospital and Asylum). [7] The rights and privileges of Victorian women were limited, and both single and married women had to live with heterogeneous hardships and disadvantages.
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Victorian houses in the Haight-Ashbury neighborhood of San Francisco, California. Approximately 48,000 houses in the Victorian and Edwardian styles were built in San Francisco between 1849 and 1915 (with the change from Victorian to Edwardian occurring on the death of Queen Victoria in 1901). Many were painted in bright colors.
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