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The new movement spread in the 1950s as the West Coast artists championed the use of natural environmental forms and clarity of detail—very novel concepts at the time. Artists of The West Coast Photographic Movement embraced and developed straight photography in the 1930s.
Utagawa Toyoharu (歌川 豊春, c. 1735 – 1814) was a Japanese artist in the ukiyo-e genre, known as the founder of the Utagawa school and for his uki-e pictures that incorporated Western-style geometrical perspective to create a sense of depth.
As particular styles began to draw attention on the streets and digital space trends, top designers incorporated them into their collections: an example is Gucci's collaboration with a famous graffiti artist, or retailers such as Urban Outfitters, where street fashion is sold at high-end prices.
Around 1739, Okumura Masanobu studied European engravings to learn the rules of perspective. His engravings found their way to Japan either through Dejima or China. [ 1 ] Masanobu was the first to apply the term Uki-e to perspective images, and Utagawa Toyoharu fully developed the form in the late 1750s when he produced colored woodblock copies ...
A related issue is the loss of self and need for self-definition, as workers faded into the background of city life, unnoticed cogs within a machine yearning for self-definition. American modernists echoed the mid-19th-century focus on the attempt to "build a self"—a theme illustrated by Fitzgerald's The Great Gatsby .
Paul Gauguin, Émile Bernard, Louis Anquetin, and others pioneered the style during the late 1880s and early 1890s. Synthetist artists aimed to synthesize three features: The outward appearance of natural forms. The artist's feelings about their subject. The purity of the aesthetic considerations of line, colour and form.
The Turku region pioneered this new style and the journal Arkkitehti mediated and discussed functionalism in a Finnish context. Many of the first buildings in the funkis style were industrial structures, institutions and offices but spread to other kinds of structures such as residential buildings, individual housing and churches.
Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]