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"My Heart Will Go On" is a song performed by Canadian singer Celine Dion, used as the theme for the 1997 film Titanic. It was composed by James Horner , with lyrics by Will Jennings , and produced by Horner, Walter Afanasieff and Simon Franglen .
Ross said the re-recording had a better guitar solo, as well as better sound quality in general. [3] After changing their name, Quarterflash released their self-titled debut album in 1981 that contains the new version of "Harden My Heart". This power ballad [4] version was released as the album's first single.
"Can't You Hear My Heartbeat" is a song written by John Carter and Ken Lewis, produced by Mickie Most, [1] and performed by Herman's Hermits. It reached No.2 on the Billboard Hot 100 in 1965. [2] In the United Kingdom it was released as the B-Side of "Silhouettes". The song was featured on their 1965 album, Their Second Album! Herman's Hermits ...
"Hear My Train A Comin'" (alternatively titled "Get My Heart Back Together") is a blues-based song written by Jimi Hendrix. Lyrically, it was inspired by earlier American spirituals and blues songs which use a train metaphor to represent salvation. Hendrix recorded the song in live, studio, and impromptu settings several times between 1967 and ...
Humphrey Bogart and Mary Astor in the 1941 film The Maltese Falcon.Dylan borrowed lines from this and other Bogart films for "Tight Connection to My Heart". Dylan critic Michael Gray notes that, as elsewhere on the Empire Burlesque album, "Tight Connection to My Heart" includes references to a number of lines of dialogue from Humphrey Bogart films. [5]
"One Has My Name (The Other Has My Heart)" is a 1948 song by singing cowboy Eddie Dean, his wife Lorene "Dearest" Dean, and Hollywood songwriter Hal Blair. The song was first recorded by Jimmy Wakely and was his third release on the Folk Best Seller charts and his first number one. [ 1 ]
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Miller recalled that the guitar riff originated from a warm-up exercise centered around sixth chords akin to the music of Chopin. He opted to avoid the third degree of the chord and intended for the chord sequence to resemble the work of John McLaughlin. When approached by Sting to develop the riff into a full song, Miller said that it was ...