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Stamped concrete in various patterns, highlighted with acid stain. Decorative concrete is the use of concrete as not simply a utilitarian medium for construction but as an aesthetic enhancement to a structure, while still serving its function as an integral part of the building itself such as floors, walls, driveways, and patios.
Concrete manufacturers started experimenting with modern decorative concrete techniques as early as the 1890s. [4] In the 1950s, Brad Bowman—considered the "father" of modern concrete stamping—began developing and patenting new techniques for producing concrete that resembled non-concrete materials, such as flagstone and wood. [ 4 ]
In the late 1950s, the Hladík couple acquired a printing press and Jenny Hladíková began to create her own graphic matrices, which Jan Hladík then printed. The couple built a joint studio in Prague-Podolí, [ 3 ] where Jan Hladík constructed originally designed vertical looms for weaving tapestries.
There is often an emphasis on graphic expressions in the external elevations and in the whole-site architectural plan in regard to the main functions and people-flows of the buildings. [37] Buildings may use materials such as concrete, brick, glass, steel, timber, rough-hewn stone, and gabions among others. [8]
TU/e Built Environment's Rohaco 3D Concrete Printer being extensively used for Concrete Printing Research. 3D concrete printing, or simply concrete printing, refers to digital fabrication processes for cementitious materials based on one of several different 3D printing technologies. 3D-printed concrete eliminates the need for formwork, reducing material waste and allowing for greater ...
Floor & Decor Holdings, Inc., branded as Floor & Decor, is a multi-channel American specialty retailer of hard surface flooring and related accessories that was founded in 2000 and headquartered in Smyrna, Georgia, United States (a suburb of Atlanta).
Bombyx mori butterfly in ornamental concrete. Villa Bernasconi is a two-storey, open-space villa with a basement floor and a turret. The building has two entrances. The main entrance, on the east façade, has steps leading to a veranda with a metal framework and multicolour decorations. [5]
Later screens used wood. Always exploring new materials, Slavin turned to laser-cut steel. Steel was a perfect material for ornamental fences, gates and sculpture in the unguarded public space. Her public work also consists of carved glass wind screens, cast concrete sculptures, terrazzo flooring, steel seating and colored polymer window films.
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