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The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
Aeschylus' play Eumenides, the third part of his surviving Oresteia trilogy, enshrines the trial and acquittal of Orestes within the foundation of Athens itself, as a moment when legal deliberation surpassed blood vengeance as a means of resolution. As such, the fact that Euripides' version of the myth portrays Orestes being found guilty and ...
The story of Orestes was the subject of the Oresteia of Aeschylus (Agamemnon, Choephori, Eumenides), of the Electra of Sophocles, and of the Electra, Iphigeneia in Tauris, Iphigenia at Aulis and Orestes, all of Euripides. [7] He also appears in Euripides’ Andromache.
Michael Ewans argues in his Wagner and Aeschylus. The Ring and the Oresteia (London: Faber. 1982) that the influence was so great as to merit a direct character by character comparison between Wagner's Ring and Aeschylus's Oresteia. But a critic of that book, while not denying that Wagner read and respected Aeschylus, has described the ...
Euripides' Electra (Ancient Greek: Ἠλέκτρα, Ēlektra) is a tragedy probably written in the mid 410s BC, likely before 413 BC.A version of the myth of the house of Atreus, Euripides' play reworks important aspects of the story found in Aeschylus' Oresteia trilogy (especially the second play, Libation Bearers) and also in Sophocles' Electra, although the relative dating of Euripides' and ...
In the Iliad, the king of Argos, Agamemnon, sacrifices his daughter Iphigenia to Artemis to assure good sailing weather to travel to Troy and fight in the Trojan War.In Agamemnon, the first play of Aeschylus's Oresteia trilogy, Agamemnon's wife, Clytemnestra, and her lover, Aegisthus, murder Agamemnon upon his return home as revenge for sacrificing Iphigenia.
Bacon was captivated by Aeschylus' play, and keen to learn more about Greek tragedy, although he said many times that he regretted being unable to read the original in Greek. [35] In 1942, he read the Irish scholar William Bedell Stanford's Aeschylus in his Style, and found the theme of obsessive guilt in The Oresteia to be highly resonant. [36]
When Aeschylus leaves the underworld at the end of the play, Sophocles takes his throne. The decision to put Sophocles in the same camp as Aeschylus makes sense, in light of the fact that Sophocles' tragic style was reminiscent of Aeschylus', whereas Euripides represents a new style altogether.