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The Meteors are an English psychobilly band formed in 1980. Originally from London, England, they are one of the pioneers of the psychobilly subgenre — which fuses punk rock with rockabilly — its distinctive sound and style. "Starting in the neo-rockabilly scene, the Meteors were initially shunned for being too spooky and mean.
This is a list of notable psychobilly bands and artists. Psychobilly is a fusion genre of rock music that mixes elements of punk rock, rockabilly, and other genres. It is one of several subgenres of rockabilly which also include thrashabilly, punkabilly, surfabilly and gothabilly. Bands and artists are listed according to their name without any ...
Psychobilly (or punkabilly) is a rock music fusion genre that fuses elements of rockabilly and punk rock. [1] It's been defined as "loud frantic rockabilly music", [2] it has also been said that it "takes the traditional countrified rock style known as rockabilly, ramp[ing] up its speed to a sweaty pace, and combin[ing] it with punk rock and imagery lifted from horror films and late-night sci ...
The Meteors are a British psychobilly band The Meteors may also refer to: The Meteors (Dutch band) Meteor Music Awards; The New Zealand band led by Max Merritt
In 1983, the British psychobilly band The Meteors released a version on their album Wrecking Crew, followed a couple of years later by Dave Vanian and the Phantom Chords. It was the opening track on the 1993 album Seasons in the Sun by Spell (Rose McDowall and Boyd Rice).
Raucous Records is a British record label focusing on rockabilly, psychobilly, rock and roll, and surf music.The label has released albums such as "Between The Polecats" by The Polecats, "Rock 'n' Roll Fever" by Jay Chance, "Rockabilly Express" by Gary Setzer and Barry Ryan, "The Lost Album" by The Meteors, "Real Gone Katz" by The Go-Katz, "Reeferbilly Blowout" by The Shakin' Pyramids, "My Ol ...
Can we imagine ourselves back on that awful day in the summer of 2010, in the hot firefight that went on for nine hours? Men frenzied with exhaustion and reckless exuberance, eyes and throats burning from dust and smoke, in a battle that erupted after Taliban insurgents castrated a young boy in the village, knowing his family would summon nearby Marines for help and the Marines would come ...
It was sung at the start of gigs by fans of psychobilly band The Meteors. A recording of this features on the start of their debut 1981 album The Case of the Meteors in Heaven. A cover by Tuxedomoon with Winston Tong was released in 1980 on the multiband live album Can You Hear Me?