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"Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album Who's Next , released that August.
Songs from the project made up the album Who's Next (1971), including the hits "Won't Get Fooled Again", "Baba O'Riley", and "Behind Blue Eyes". The group released another concept album, Quadrophenia (1973), as a celebration of their mod roots, and oversaw the film adaptation of Tommy (1975). They continued to tour to large audiences before ...
Won't Get Fooled Again (1988) Wire & Glass (2006) Won't Get Fooled Again is an extended play of songs by The Who released in 1988 by Polydor Records.
He refused to let Michael Moore use "Won't Get Fooled Again" in Fahrenheit 9/11 (2004), saying that he watched Bowling for Columbine (2002) and was not convinced. [159] In 1961 while in art school, Townshend joined the Young Communist League and was a prominent figure in their 1966 "Trend" recruitment campaign.
It was ranked number 262 on Rolling Stone's 500 Greatest Songs of All Time list in 2010. [12] In 2012, Paste ranked the song number four on their list of the 20 greatest The Who songs, [13] and in 2022, Rolling Stone ranked the song number two on their list of the 50 greatest The Who songs, behind only "Won't Get Fooled Again". [14]
" The guitar riff at the end of the rock anthem section is also used after the bridge during the song "Won't Get Fooled Again", perhaps serving as a link between the two songs when both were intended to be parts of a single rock opera. Record World said that the band "slows the pace considerably until its break. Then the guys get down to some ...
Stacker surveyed Billboard's Hot 100 chart in 1974 to highlight the top 50 songs turning 50 in 2024. Data was collected on Jan. 19, 2024.
Rolling Stone critic John Mendelsohn rates "The Song Is Over" as being among Daltrey's and Townshend's best work, describing it as "an unutterably beautiful song" in which Townshend sings exquisitely over a gentle piano background before and in between Daltrey charging in exhilaratingly over a hard part with breathtaking chord changes in the manner of the "Listening to you I hear the music ...