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Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. [127] Prominent jazz, folk or rock performers, such as Louis Armstrong , Duke Ellington , Miles Davis , and Bob Dylan have performed significant blues recordings.
Little is known about the exact origin of the music now known as the blues. [1] No specific year can be cited as its origin, largely because the style evolved over a long period but blues is inarguably a Black American art form as it is noted "it is impossible to say exactly how old blues is - certainly no older than the presence of Negroes in the United States.
British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. In Britain, blues developed a distinctive and influential style dominated by electric guitar, and made international stars of several proponents of the genre, including the Rolling Stones, the Animals, the Yardbirds, John Mayall, Eric ...
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics , phrase , chord structure, and duration .
Blues music was highly influential to popular music in the 1950s, having directly influenced rock & roll, and many blues and rhythm & blues artists found commercial success throughout the 1950s, such as Ray Charles. [7] The birth of soul music occurred during the 1950s, and the genre would come to dominate the US R&B charts by the early 1960s.
Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues , but is performed in an urban style . It developed alongside the Great Migration of African Americans of the first half of the twentieth century.
In the early 1950s blues music was largely known in Britain through blues-influenced boogie-woogie, and the jump blues of Fats Waller and Louis Jordan. [9] Imported recordings of American artists were brought over by African American servicemen stationed in Britain during and after World War II, merchant seamen visiting the ports of London, Liverpool, Newcastle on Tyne and Belfast, and in a ...
"Devil Stole the Beat" in the Rough Guide to World Music, Volume 2, p. 569: Its seminal figure was a piano player and ex-blues musician by the name of Thomas A. Dorsey (1899–1993), who began composing songs based on familiar spirituals and hymns fused to blues and jazz rhythms. (emphasis in original) ^ Garofalo, p. 72.