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Lift (2013) for solo cello, premiered at MIT (written for Jennifer Kloetzel) Cricket the Fiddler (2020), commissioned by Jennifer Kloetzel, solo cello, premiered online October 2020, ca 8’ Cloud Forest (2015) solo cello, 8 minutes, commissioned by Rhonda Rider; Peter Ruzicka. Sonata, Op. 9 (1969) Stille Four Epilogues (1976)
Cello Concerto No. 1, for solo cello, 17 wind instruments, percussion, and harmonium (1963) (Also orchestrated by Dmitri Shostakovich in 1969) Cello Concerto No. 2, for solo cello, 48 cellos, 12 double-basses, and percussion (1969, arranged for orchestra in 1979) Antoine Tisné. Cello Concerto (1965) Juro Tkalčić. Cello Concerto (1922) Ernst Toch
Sonata In Memorian Pau Casals for cello and piano (10 min) (1976) Un Cant a Pau Casals for cello and piano (1991) George Chadwick. Romanza (1883) Easter Morn (1914) Cécile Chaminade. Romanza for cello and piano Op. 31a (unpublished) La Chaise à Porteurs for cello and piano Op. 55b (Enoch) 1896; Sommeil d'Enfant for cello and piano )p. 125 ...
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, and Sergei Rachmaninoff among others.
Amazing Grace is a live album by American singer Aretha Franklin. It was recorded in January 1972 at the New Temple Missionary Baptist Church in Los Angeles , with Reverend James Cleveland and the Southern California Community Choir accompanying Franklin in performance.
The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as Kapellmeister in Köthen.
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The horn answers and the solo cello begins a new theme. The orchestra plays it after and the first theme is played again. The cello plays its second theme, which progressively becomes more agitated, building to a climax in bar 148. This is immediately followed by the first theme played loudly. The solo cello plays its first melody in artificial ...