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Repaired ceramic bowl from the National Museum of Vietnam History. A chemical compound that adheres or bonds items together, such as pieces of ceramic. In ceramic conservation there are several different types that range from natural to man-made adhesives. Conservators characterise the best adhesive as one which can be undone.
In ceramics, craquelure in ceramic glazes, where it is often a desired effect, is called "crackle"; it is a characteristic of Chinese Ge ware in particular. This is usually differentiated from crazing , which is a glaze defect in firing, or the result of aging or damage.
Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimise the adherence of pollutants. It is used for decoration, to ensure the item is impermeable to liquids and to minimise the adherence of pollutants.
Slip decoration is an ancient technique in Chinese pottery also, used to cover whole vessels over 4,000 years ago. [11] Principal techniques include slip-painting, where the slip is treated like paint and used to create a design with brushes or other implements, and slip-trailing, where the slip, usually rather thick, is dripped onto the body.
Caiger-Smith, Alan, Tin-Glaze Pottery in Europe and the Islamic World: The Tradition of 1000 Years in Maiolica, Faience and Delftware (Faber and Faber, 1973) ISBN 0-571-09349-3; Caiger-Smith, Alan, Lustre Pottery: Technique, Tradition and Innovation in Islam and the Western World (Faber and Faber, 1985) ISBN 0-571-13507-2; Canby, S. R. 1997.
Pottery mound polychrome ware was often slipped with a different color on the inside of the vessel than on the exterior. [29] It was then decorated with various mineral paints before firing, in red, black and ochres. Ceramics found at Pottery mound was not only produced there, but imported from as far away as Hopi, Acoma and Zuni lands. [30] [31]
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
The paints used are limited to tones of red and brown, yellow, white and black. Type IV. Early Classical lekythos painting combined shiny slip, mineral paints and non.ceramic mineral paints, This type developed in the second quarter of the 5th century BC. It was used in painting large grave lekythoi used in funerary cult. The images are mostly ...
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