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  2. Nocturnes, Op. 9 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Nocturnes,_Op._9_(Chopin)

    The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...

  3. Nocturnes (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Nocturnes_(Chopin)

    While the popularity of individual nocturnes has varied considerably since Chopin's death, they have retained a significant position in piano repertoire, with the Op. 9 No. 2 in E ♭ major and the Op. 27 No. 2 in D ♭ major perhaps the most enduringly popular.

  4. File:Frederic Chopin - Nocturne Eb major Opus 9, number 2.ogg

    en.wikipedia.org/wiki/File:Frederic_Chopin...

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  5. List of compositions by Frédéric Chopin by opus number

    en.wikipedia.org/wiki/List_of_compositions_by...

    Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.

  6. List of compositions by Frédéric Chopin by genre - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    Nocturne in B major; Op. 15, Three Nocturnes (1830–33): Nocturne in F major; Nocturne in F ♯ major; Nocturne in G minor; Op. 27, Two Nocturnes (1835-6): Nocturne in C ♯ minor; Nocturne in D ♭ major; Op. 32, Two Nocturnes (1836–37): Nocturne in B major; Nocturne in A ♭ major; Op. 37, Two Nocturnes (1838–40): Nocturne in G minor ...

  7. Chopin's compositions for piano and orchestra - Wikipedia

    en.wikipedia.org/wiki/Chopin's_compositions_for...

    Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.

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