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Canal, Jose de la, 1768-1845 Sáinz de Baranda, Pedro, 1787-1845 Fuente, Vicente de la, 1817-1889 Fort y Pazos, Carlos Ramón, 1807-1878 González Palencia, Angel, 1889-Custodio Vega, Ángel Real Academia de la Historia (Spain)
The Board of the Sagrada Família (Patronat de la Sagrada Família) and the neighborhood association AVE pel Litoral (AVE by the Coast) led a campaign against this route for the AVE, without success. [citation needed] In October 2010, the tunnel boring machine reached the church underground under the location of the building's principal façade ...
Canal, Jose de la, 1768-1845 Sáinz de Baranda, Pedro, 1787-1845 Fuente, Vicente de la, 1817-1889 Fort y Pazos, Carlos Ramón, 1807-1878 González Palencia, Angel, 1889-Custodio Vega, Ángel Real Academia de la Historia (Spain)
Aerial view towards La Sagrada Familia, Barcelona, Spain. Gaudí was run down by a tram on 7 June 1926, and died of his wounds on 10 June. He is buried in Sagrada Familia. After his death, Gaudí's works suffered a period of neglect and were largely unpopular among international critics, who regarded them as baroque and excessively imaginative.
Sagrada Família [1] (Catalan pronunciation: [səˈɣɾaðə fəˈmiliə]) is a neighborhood in the Eixample district of Barcelona, Catalonia . Its name comes from the church of the Sagrada Família , work of Antoni Gaudí , which can be found in the center of the neighborhood.
Gaudi is the tenth album by The Alan Parsons Project, released in 1987. Gaudi refers to Antoni Gaudí, [3] the Spanish architect, and the opening track references what is probably Gaudí's best known building, the Sagrada Família.
Passion Façade, Sagrada Família, Barcelona. Josep Maria Subirachs i Sitjar [1] (Catalan pronunciation: [ʒuˈzɛb məˈɾi.ə suβiˈɾaks]; 11 March 1927 – 7 April 2014 [2]) was a Spanish sculptor and painter of the late 20th century. His best known work is probably the Passion Facade of the basilica of the Sagrada Família in Barcelona.
The Village Voice wrote a review describing the film as "Something of a passion project, completed decades after an earlier visit by the director, the film is given over to an eager, rolling catalog of Gaudí's fin-de-siècle works sans much voiceover or any explanatory text". [1]