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The four Tezcatlipocas were the sons of Ometecuhtli and Omecihuatl, lady and lord of the duality, and were the creators of all the other gods, as well as the world and all humanity. The rivalry between Quetzalcoatl and Tezcatlipoca is also recounted in the legends of Tollan , wherein Tezcatlipoca deceives Quetzalcoatl, ruler of the legendary ...
Other victims were fastened to a frame and put to death with arrows; their blood dripping down was believed to symbolize the fertile spring rains. A hymn sung in honour of Xipe-Totec called him Yoalli Tlauana ("Night Drinker") because beneficent rains fell during the night; it thanked him for bringing the Feathered Serpent , who was the symbol ...
Xochitlicue (meaning in Nahuatl 'the one that has her skirt of flowers') is the Aztec goddess of fertility, patroness of life and death, guide of rebirth, younger sister of Coatlicue, Huitzilopochtli's mother according Codex Florentine; and Chimalma, Quetzalcoatl's mother according Codex Chimalpopoca. [1]
Mapmaking is a cultural expression evidenced in different forms in any human community over time and space: From fourth century BC (400 BC) China to nineteenth century Europe, maps have been a medium that materialized or translated man's relationship to the world around it; as Harley puts it “There are few aspects of human action and thought that have not been mapped at one time or another ...
Abode of the gods. Ruled by the Four Creator Lords or Tezcatlipocas. Eminently divine place where the deities remain and project themselves to be in other places. Where the gods take on faces, and where they put on masks to become others while still being themselves. Where they are born, reborn and feed in their quality of eternal and mutating ...
Possible depiction of the Centzon Tōtōchtin in the Florentine Codex. In Mexica mythology, the Centzon Tōtōchtin (Nahuatl pronunciation: [sent͡son toːˈtoːt͡ʃtin] "four-hundred rabbits"; also Centzontōtōchtin) are a group of divine rabbits who meet for frequent drunken parties.
Mixcoatl was one of four children of Tonacatecutli, meaning "Lord of Sustenance," an aged creator god, and Cihuacoatl, a fertility goddess and the patroness of midwives. Sometimes Mixcoatl was worshipped as the "Red" aspect of the god Tezcatlipoca , the "Smoking Mirror," who was the god of sorcerers, rulers, and warriors.
Most Colonial-era manuscripts equate her with Ōmecihuātl. [4] Tōnacācihuātl was the consort of Tōnacātēcuhtli. [5] She is also referred to as Ilhuicacihuātl or "Heavenly Lady." [6] Tonacacihuatl is depicted in the Codex Telleriano-Remensis. [7] Tonacacíhuatl and Tonacatecuhtli as depicted in the Codex Fejérváry-Mayer. [7]