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On review aggregator Rotten Tomatoes, the film holds an approval rating of 70% based on 207 reviews, with an average rating of 6.30/10. The website's critical consensus reads, "It doesn't measure up to Pegg and Frost's best work, but Paul is an amiably entertaining — albeit uneven — road trip comedy with an intergalactic twist."
The Bulgarian film rating system is defined in the Film Industry Act of 2003 and administered by the National Film Rating Committee. [22] Since then, two more restrictive ratings (C+ and D+) have been added to the system: [23] [24] A – Recommended for children. B – No age restrictions. C – Not recommended for children under 12. No persons ...
Film ratings often have accompanying brief descriptions of the specifics behind the film's content and why it received a certain rating. They are displayed in trailers, posters, and on the backside of home video releases. Film rating content descriptors are exclusively used for films rated from PG to NC-17; they are not used for G-rated films ...
Amazon’s Prime Video streaming service has signed an agreement with the British Board of Film Classification (BBFC) to produce age ratings for content. The agreement will enable Prime Video to ...
The United Arab Emirates has announced the addition of a new over-21 age classification to its motion picture rating system that could become a milestone in moving the needle against censorship ...
Fans noticed Hauser, who starred in the 2019 crime thriller ‘Richard Jewell,’ gave the film a middling review on Letterboxd
Paul, a film featuring Simon Pegg and Nick Frost; Paul (2025 film), a Canadian documentary film, directed by Denis Côté; The Paul, a guitar by Gibson; Paul, a 2019 album by PJ Morton "Paul" (song), by the German punk band Die Ärzte; Paul, a 2005 play by Howard Brenton "Paul the Monkey", the mascot of DNA Productions
British Board of Film Censors 'U' certificate for Berlin Airlift (1949) [9]. The BBFC was established in 1912 as the British Board of Film Censors, under the aegis of the Incorporated Association of Kinematograph Manufacturers, [10] by film trade associations who preferred to manage their own censorship than to have national or local government do it for them.