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From the ANT viewpoint, design is seen as a series of features that account for a social, psychological, and economical world. ANT argues that objects are designed to shape human action and mold or influence decisions. In this way, the objects' design serves to mediate human relationships and can even impact our morality, ethics, and politics. [32]
Assemblage (from French: agencement, "a collection of things which have been gathered together or assembled") is a philosophical approach for studying the ontological diversity of agency, which means redistributing the capacity to act from an individual to a socio-material network of people, things, and narratives.
In this way, art itself becomes analytical and self-aware. The subjective frame comprises mainly feelings and emotions expressed, and of audience response or interpretation. The structural frame refers to physical techniques and principles applied to the artwork, such as mediums , overall structure, facture [ 2 ] and the use of symbols.
These internalized relationships and habitual expectations and relationships form, over time, the habitus. Bourdieu's work attempts to reconcile structure and agency, as external structures are internalized into the habitus while the actions of the agent externalize interactions between actors into the social relationships in the field ...
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
Agency is contrasted to objects reacting to natural forces involving only unthinking deterministic processes. In this respect, agency is subtly distinct from the concept of free will, the philosophical doctrine that our choices are not the product of causal chains, but are significantly free or undetermined.
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Thompson believes that is a mistake, because without the concept of design, it is easy for evolutionary theory to become a tautology. [5] [6] [7] Natural design is design-without-a-designer, in the same sense that natural selection is selection-without-a-selector. Design is a term we use to refer to a matching of form and function, and we can ...