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It contains more than 200 characters, summaries of their roles, and information on where they appear. The descriptions vary in length and comprehensiveness, upgrading characters who were actually metamorphosed, who play a significant role, or about whom a certain background knowledge is required to understand the Metamorphoses .
C. Cadmus; Caeneus; Calchas; Calliope; Callisto (mythology) Canens (mythology) Cassandra; Caunos (mythology) Cecrops I; Cephalus (son of Deione/Deioneus) Chariclo
The Metamorphoses was preserved through the Roman period of Christianization. [citation needed] Though the Metamorphoses did not suffer the ignominious fate of the Medea, no ancient scholia on the poem survive (although they did exist in antiquity [65] [page needed]), and the earliest complete manuscript is very late, dating from the 11th century.
Other works include Boios's Ornithogonia (which included tales of humans becoming birds) and little-known Antoninus Liberalis's own Metamorphoses, which drew heavily from Nicander and Boios. [13] Below is a list of permanent and involuntary transformations featured in Greek and Roman mythological corpus.
Acis and Galatea (/ ˈ eɪ s ɪ s /, / ɡ æ l ə ˈ t iː. ə / [1] [2]) are characters from Greek mythology later associated together in Ovid's Metamorphoses.The episode tells of the love between the mortal Acis and the Nereid (sea-nymph) Galatea; when the jealous Cyclops Polyphemus kills Acis, Galatea transforms her lover into an immortal river spirit.
Baucis and Philemon are characters in the fifth act of Goethe's Faust II (1832). Gogol wrote an ironic and bittersweet reworking of the legend in his 1835 novella The Old World Landowners. Charles Gounod wrote his opéra comique Philémon et Baucis in 1860. The Lanchester Marionettes created a puppet show Philemon and Baucis in 1952 [4]
The story of Pan and Syrinx is the inspiration for the first movement in Benjamin Britten's work for solo oboe, Six Metamorphoses after Ovid first performed in 1951. Britten titled the movement, "Pan: who played upon the reed pipe which was Syrinx, his beloved." Maurice Ravel incorporated the character of the Syrinx into his ballet Daphnis et ...
In book 10 of Ovid's Metamorphoses, Pygmalion was a Cypriot sculptor who carved a woman out of ivory alabaster.Post-classical sources name her Galatea.. According to Ovid, when Pygmalion saw the Propoetides of Cyprus practicing prostitution, he began "detesting the faults beyond measure which nature has given to women". [1]