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In England, embroidered linen silk jackets fastened with ribbon ties were fashionable for both men and women from c. 1600–1620, as was reticella tinted with yellow starch. Overgowns with split sleeves (often trimmed with horizontal rows of braid) were worn by both men and women.
Boyar shirts were of silk, embroidered with gold thread and decorated with pearls. The costume of Oltenia peasant women was composed of cotton shirts sewn with altițe, striped catrințe and bete. Like them, patronesses wore headlong handkerchiefs (Romanian: maramă) of floss silk or flax, that hung on the back. [5]
A peasant girl wearing a sarafan (1909), by Sergey Prokudin-Gorsky. A sarafan (Russian: сарафа́н, IPA: [sərɐˈfan], from Persian: سراپا sarāpā, literally "[from] head to feet") [1] is a long, trapezoidal Russian jumper dress (pinafore dress) worn by girls and women and forming part of Russian traditional folk costume.
The portrait of an unknown girl in the traditional Russian clothing by Ivan Argunov, 1784, showcasing a large kokoshnik head dress.. The kokoshnik (Russian: коко́шник, IPA: [kɐˈkoʂnʲɪk]) is a traditional Russian headdress worn by women and girls to accompany the sarafan.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Cyprus – Zimbouni (waistcoat), vraka (men's breeches), and saiya (women's formal festival dress) Turkish Republic of Northern Cyprus – Cepken (yelek) vest, salta, yazma, potur, boynuz kemer Israel – A national symbol of Israel is the tembel hat ; the sudra , gargush , the Hasidic rekel , the Sephardi kavese [ 29 ] (hat); biblical sandals ...
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