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The legend of Son Tinh and Thuy Tinh (Mountain God and Water God) [12] The betrayal of An Dương Vương [13] Hoan Kiem Lake – Le Loi and the Magical Sword [citation needed] Ông Táo – the Kitchen Gods [14] The origins of bánh chưng-the story of Lang Lieu [15] Four Elements – the Turtle, the Dragon, the Unicorn and the Phoenix [16]
It was first published in 2001 and, like the 1925/1934 version above, is also published by the Vietnamese Bible Society which sells it in Vietnam as the "New Version". The Revised Vietnamese Version Bible (RVV11): This translation, published by the United Bible Societies (UBS), was published in 2010.
Ông Táo (翁灶) also known as Táo Quân (灶君, Mandarin Táo), Táo Vương (灶王), Thần Bếp (神灶), Vua Bếp (𢂜灶) or the Kitchen god is regarded in Vietnamese culture as the advocate of the Vietnamese family with the gods and the emissary between heaven to earth.
The unique name for the Caodaist deity is intended to capture the development of God's revelation throughout evolutionary history: Cao Đài Tiên Ông Đại Bồ Tá Ma Ha Tát, Chaos, Taoism, Ông Trời, Thượng Đế, Đấng Sáng Tạo, Allah, Tathāgata, Atenism, Brahma, Yahweh, Great Spirit, God of the gaps, Waheguru, etc.
Ông Trời is referred to by many names depending on the religious circumstances. In South Vietnam, he is often called Ông Thiên (翁天). In Đạo Mẫu, he is called the Vua Cha Ngọc Hoàng (𢂜吒玉皇, Monarchical Father Ngọc Hoàng), as he is the father of Liễu Hạnh.
Vietnamese folk religion (Vietnamese: tín ngưỡng dân gian Việt Nam) or Đạo Lương (道良) is a group of spiritual beliefs and practices adhered by the Vietnamese people. About 86% of the population in Vietnam are reported irreligious, [1] but are associated with this tradition.
There is a theory that it is the gods who helped the Ngọc Hoàng from the time he intended to create mankind. but there is also a theory that these are the gods entrusted by the Ngọc Hoàng after he created a sufficient number of people and things in the lower world. In other words, the 12 Bà mụ are gods who are responsible for shaping ...
The earliest forms of Vietnamese religious practice were animistic and totemic in nature. [11] The decorations on Đông Sơn bronze drums, generally agreed to have ceremonial and possibly religious value, [nb 2] depict the figures of birds, leading historians to believe birds were objects of worship for the early Vietnamese.