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[3] [4] The imagery of shepherd and lamb features prominently in many movements, for example: in the aria "He shall feed His flock like a shepherd" (the only extended piece to talk about the Messiah on earth), in the opening of Part II ("Behold the Lamb of God"), in the chorus "All we like sheep", and in the closing chorus of the work ("Worthy ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Each scene is a collection of individual numbers or "movements" which take the form of recitatives, arias and choruses. [15] There are two instrumental numbers, the opening Sinfony [n 3] in the style of a French overture, and the pastoral Pifa, often called the "pastoral symphony", at the mid-point of Part I. [18]
Hymns Instrumental, released in 1989, is the final studio album from contemporary Christian music group 2nd Chapter of Acts. It features no vocals, but is an instrumental collection of all but three of the tracks from the previous two Hymns releases.
Hymns II is the second collection of hymns and the final studio album from 2nd Chapter of Acts, released in 1988. 2nd Chapter of Acts provided the vocals in this release. Annie Herring wrote "Purify Me".
The tune appears on page 112 in F major for two voices (tenor and bass), with a revival chorus (Hallelujah, Hallelujah, we are on our journey home); the facing page has another musical setting ("Concert") in A minor without any chorus. Asahel Nettleton also published music, so some attribute his namesake tune directly to him. [5]
Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in Schemellis Gesangbuch)
The dotted rhythm returns in instruments and voices in the chorus "Surely, He hath borne our griefs and carried our sorrows", the continuation of Isaiah's text, set in F minor. The chorus continues with the remainder of Isaiah 53:5 and ends on the words "the chastisement of our peace was upon him".