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In the early days of hip hop, funk music was widely used as a source of samples. This continued to a lesser extent in more recent years. This continued to a lesser extent in more recent years. Pages in category "Funk-rap songs"
G-funk, short for gangsta funk, (or funk rap [5]) is a sub-genre of gangsta rap that emerged from the West Coast scene in the early 1990s. The genre is heavily influenced by the synthesizer -heavy 1970s funk sound of Parliament-Funkadelic (aka P-Funk), often incorporated through samples or re-recordings. [ 4 ]
In 2005 Format released his second album "If You Can't Join 'Em… Beat 'Em" and toured extensively throughout 2005/06. In 2006 Format's fabriclive 27 in the Fabric DJ mix series was one of the most well received of the series. His DJ sets are renowned for their boundary-crossing selection of the funk, soul, rock & hip-hop and his fabric mix ...
This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
Shing02 was chosen for rapping "Battlecry", the theme song of the hit hip-hop-influenced chanbara anime Samurai Champloo, which had music produced by Japanese jazz rap DJ Nujabes. [39] Time magazine placed M.I.A in the Time 100 list of "World's Most Influential people" for having "global influence across many genres."
213 (pronounced "Two One Three") was an American hip hop group from Long Beach, California composed of Snoop Dogg, Warren G and Nate Dogg.The name derives from Los Angeles' original telephone area code 213, which served the city of Long Beach at the time of the group's formation (it later became area code 562).
While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of EDM like techno, trip hop, and house music and rock music such as rap rock, rap metal, rapcore, and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills.
Dan Cairns of The Sunday Times has described "The Message"'s musical innovation: "Where it was inarguably innovative, was in slowing the beat right down, and opening up space in the instrumentation—the music isn't so much hip-hop as noirish, nightmarish slow-funk, stifling and claustrophobic, with electro, dub and disco also jostling for room in the genre mix—and thereby letting the lyrics ...