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Echoplex EP-2. The Echoplex is a tape delay effects unit, first made in 1959.Designed by engineer Mike Battle, [1] the Echoplex set a standard for the effect in the 1960s; according to Michael Dregni, it is still regarded as "the standard by which everything else is measured."
Users may adjust the bass and treble levels on the output sound, the number of echo repeats, the length of each echo, and the ratio of the echo and reverb sounds. [1] The Space Echo has two microphone inputs, one instrument input, and one input for a mixer or PA. [1] The character of the delay sound changes as the tape wears with use. [2]
Effects units are available in a variety of form factors.Stompboxes are used in both live performance and studio recording. Rackmount devices saw a heavy usage during the later 20th century, due to their superior processing power and desirable tones as compared to pedal-style units.
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple ...
Lafayette advertised heavily in major U.S. consumer electronics magazines of the 1960s and 1970s, particularly Audio, High Fidelity, Popular Electronics, Popular Mechanics, and Stereo Review. The company offered a free 400-page catalog filled with descriptions of vast quantities of electronic gear, including microphones, speakers, tape ...
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The console of the Wanamaker Organ in the Macy's (formerly Wanamaker's) department store in Philadelphia, featuring six manuals and colour-coded stop tabs. The pipe organ is played from an area called the console or keydesk, which holds the manuals (keyboards), pedals, and stop controls. In electric-action organs, the console is often movable.
An echo chamber is a hollow enclosure used to produce reverberation, usually for recording purposes. A traditional echo chamber is covered in highly acoustically reflective surfaces. By using directional microphones pointed away from the speakers, echo capture is maximized. Some portions of the room can be moved to vary the room's decay time.