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"Ain't Talkin' 'bout Love" is a song by American rock band Van Halen. It was released in September 1978 as the fourth US single from their 1978 debut album, Van Halen . This song is one of the few David Lee Roth -era songs that subsequent replacement Sammy Hagar was willing to sing in concert when he joined the band in the mid-1980s.
Ain't Talkin' 'bout Dub; Ain't Talkin' 'bout Love; ... It's About Time (Van Halen song) J. ... Right Now (Van Halen song)
Although Van Halen vocalist Sammy Hagar was a financial supporter of President George W. Bush in his 2004 re-election campaign, [23] during the 2004 reunion tour, the band projected the "Right Now" music video, with a few extra modern scenes, on a large screen behind them while they performed the song. Some new modern scenes were, "Right now ...
Tokyo Dome Live in Concert is a live album by American rock band Van Halen, released on March 31, 2015.It is their first live album with original lead vocalist David Lee Roth and second live album overall after 1993's Live: Right Here, Right Now.
Live: Right Here, Right Now. is the first live album by American rock band Van Halen, released in 1993.It is the band's only live album featuring Sammy Hagar and the only live album by Van Halen until the release of Tokyo Dome Live in Concert in 2015.
"Poundcake" is a Van Halen song and the opening track on their 1991 album For Unlawful Carnal Knowledge. "Poundcake" was the first song to be released as a single from the album, reaching number one on the US Billboard Album Rock Tracks chart and number 74 on the UK Singles Chart.
"I made a concerted effort to do the old Van Halen tunes that Sammy was not doing. ... "Right Now" "Ain't Talkin' Bout Love" Encore 1 "Josephina" ... Madison Square ...
A 2011 Rolling Stone reader's poll placed the song at number one on a list of the 10 best Van Halen songs. [4]Chuck Klosterman of Vulture.com named it the second-best Van Halen song, writing that it "merely feels like insatiable straight-ahead rock, but the lick is freaky, obliquely hovering above the foundation while the drums oscillate between two unrelated performance philosophies."