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In chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant , the first is also called tenor , dominant or tuba , while the second includes psalm tones (each with its own associated Gregorian mode ) as well ...
The basses begin with a solemn theme, which is imitated by tenor, alto and soprano. The call Agnus Dei is first sung by soprano solo, continued with a choral "miserere", secondly by tenor solo, continued similarly, and the third time by the choir in homophony. The call "Dona nobis pacem" is first sung by soprano solo, secondly by alto solo ...
Gregorian chant is, as 'chant' implies, vocal music. The text, the phrases, words and eventually the syllables, can be sung in various ways. The most straightforward is recitation on the same tone, which is called "syllabic" as each syllable is sung to a single tone.
small instrumental tone: A simple melody or song Coda: tail: The end of a piece Concerto: concert: A work for one or more solo instruments accompanied by an orchestra Concertino: little concert: A short concerto; the solo instrument in a concerto Concerto grosso: big concert: A Baroque form of concerto, with a group of solo instruments Da capo ...
An ornamental tone following a principal tone by a skip up or down, usually of a third, and proceeding in the opposite direction by a step, not to be confused with changing tone. canon or kanon (Ger.) A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect; see Pachelbel's Canon.
This system results in a much larger number of possible psalm tones in Ambrosian chant than exists in Gregorian chant. Structurally, psalm tones in Ambrosian chant consist of an incipit, a recitation formula, and a cadence, lacking the mediant flex found in Gregorian psalm tones. Other Vespers chants include the Psallendae and the Antiphonae in ...
Part I begins with a chorus in the style of a French overture with a solemn opening and a fast fugal central section. [3] The bass sings a recitative and an aria, accompanied by solo oboe and strings. The soprano sings a modulating recitative and an aria in the style of a gavotte. A four-part harmonization of the chorale ends the first part. [9]
Pedal tones (or pedals) are special low notes in the harmonic series of brass instruments. A pedal tone has the pitch of its harmonic series' fundamental tone . Its name comes from the foot pedal keyboard pedals of a pipe organ , which are used to play 16' and 32' sub-bass notes by pressing the pedals with the player's feet.