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Staff positions help ensure good attendance in safe facilities. They help ensure the theatre remains financially solvent, that it is well run, and that it is perceived as an asset to the community it serves. Artistic director; Call boy, a stagehand who alerts actors and actresses of their entrances during a performance; Company Manager
A theater manager, also called a general manager, managing director, or intendant (British English), is the administrator of a theater. They often also have the responsibilities of an artistic director but in any case oversee all administrative, marketing, production, and financial functions of their theater. They often report to a board and ...
This was the first time a person other than actors and playwright was hired to direct or manage the stage. Over time, with the rise in complexity of theatre due to advances such as mechanized scenery, quick costume changes, and controlled lighting, the stage manager's job was split into two positions— director and stage manager. [2]
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Depending on circumstances, multiple positions are possible: Production Manager – Typically seen on touring shows or larger permanent venues, this is usually the most senior member of the stage management staff. Stage Manager – The usual title applied to the head stage manager assigned to a specific production.
This is a list of notable theatre managers and theatrical producers grouped alphabetically by country or area, then alphabetically by surname. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Assistant stage manager: Assists the stage manager in their duties. Generally, one assistant stage manager is in charge of running backstage operations during a show. Props Master: Responsible for maintenance and placement of hand props before scenes as well as their subsequent retrieval after the scene. Additionally, props masters run the ...
Theatrical production management is a sub-division of stagecraft.The production management team (consisting of a production manager and any number of assistants) is responsible for realizing the visions of the producer and the director or choreographer within constraints of technical possibility.
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