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Beowulf is considered an epic poem in that the main character is a hero who travels great distances to prove his strength at impossible odds against supernatural demons and beasts. The poem begins in medias res or simply, "in the middle of things", a characteristic of the epics of antiquity. Although the poem begins with Beowulf's arrival ...
Unlike modern versions in which "Wednesday's child is full of woe", an earlier incarnation of the rhyme appeared in a multi-part fictional story in a chapter appearing in Harper's Weekly on September 17, 1887, in which "Friday's child is full of woe", perhaps reflecting traditional superstitions associated with bad luck on Friday – as many ...
A. E. - Lascelles Abercrombie - H. C. Beeching - Hilaire Belloc - Laurence Binyon - W. S. Blunt - Robert Bridges - Rupert Brooke - William Canton - P. R. Chalmers - G. K. Chesterton - Mary E. Coleridge - Padraic Colum - Frances Cornford - A. S. Cripps - John Davidson - W. H. Davies - Walter De la Mare - John Drinkwater - J. E. Flecker - Edmund Gosse - Gerald Gould - Ralph Hodgson - Laurence ...
This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.
Terza rima (/ ˌ t ɛər t s ə ˈ r iː m ə /, also US: / ˌ t ɜːr-/, [1] [2] [3] Italian: [ˈtɛrtsa ˈriːma]; lit. ' third rhyme ') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the ...
An 1850 acrostic by Nathaniel Dearborn, the first letter of each line spelling the name "JENNY LIND". An acrostic is a poem or other word composition in which the first letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. [1]
Nicholas Howe suggested three types of modern version: "high poetic translation", where literal accuracy is sacrificed to the spirit of the original and the presence of the poet/translator, as in William Morris, Edwin Morgan, Burton Raffel, and Seamus Heaney; "verse translation", somewhat faithful to Old English technique, with the translator ...
All poems, Eagleton wrote, make use of linguistic tricks to create the feeling of real phenomena, of restoring words to their full value, and Heaney liked that impression; "hence, perhaps, the rural-born Heaney's affection for Beowulf's burnished helmets and four-square, honest-to-goodness idiom, its Ulster-like bluffness and blood-spattered ...
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