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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
"Soldier, Soldier, Won't You Marry Me?" ( Roud 489), also known as "Soldier John" and "Soldier, Soldier," is an American traditional folk song. [ 1 ] Fresno State University gives the earliest collected date as 1903 in America, and it was collected many times in Tennessee and North Carolina in the early 1900s. [ 2 ]
"Wedding Bell Blues" is a song written and recorded by Laura Nyro in 1966. The best known version was a number one hit for the 5th Dimension in 1969.. The lyrics are written from the perspective of a woman whose boyfriend has not yet proposed to her, and who wonders, "am I ever gonna see my wedding day?"
The ritual often involves the formal asking of the question "Will you marry me, ...?" and the presentation of an engagement ring (often in a small velvet box), which he may place on her finger if she accepts. [1] [2] Before proposing, a man traditionally asks permission from the father of the woman he hopes to marry.
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
"Cindy" or "Cindy, Cindy" (Roud 836) is a popular American folk song.According to John Lomax, the song originated in North Carolina. [citation needed] In the early and middle 20th century, "Cindy" was included in the songbooks used in many elementary school music programs as an example of folk music.
"Big John (Ain't You Gonna Marry Me)" is a song written by John Patton and Amiel Sommers and performed by The Shirelles. It was featured on their 1962 album, Baby It's You. [1] The song was produced by Luther Dixon and recorded at Bell Sound Studios in New York City. [2]
The song was nominated for the Academy Award for Best Original Song in 1938 but lost to "Thanks for the Memory". [3] The song was included in the 1984 Smithsonian collection American Popular Song: Six Decades of Songwriters and Singers [ 4 ] and in the 1998 album The Songs of Harry Warren .