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The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in ...
In the 1910s, the Italian film industry developed rapidly. [38] In 1912, the year of the greatest expansion, 569 films were produced in Turin, 420 in Rome and 120 in Milan. [39] Popular early Italian actors included Emilio Ghione, Alberto Collo, Bartolomeo Pagano, Amleto Novelli, Lyda Borelli, Ida Carloni Talli, Lidia Quaranta and Maria ...
Predecessors to film that had already used light and shadows to create art before the advent of modern film technology include shadowgraphy, shadow puppetry, camera obscura, and the magic lantern. Shadowgraphy and shadow puppetry represent early examples of the intent to use moving imagery for entertainment and storytelling. [1]
Entrance to Cinecittà in Rome, Italy, the largest film studio in Europe. [1]Cinema of Europe refers to the film industries and films produced in the continent of Europe.The history of Italian cinema began a few months after the French Lumière brothers, who made the first public screening of a film on 28 December 1895, an event considered the birth of cinema, began motion picture exhibitions.
Italian futurist cinema (Italian: Cinema futurista) was the oldest movement of European avant-garde cinema. [1] Italian futurism, an artistic and social movement, impacted the Italian film industry from 1916 to 1919. [2] It influenced Russian Futurist cinema [3] and German Expressionist cinema. [4]
The National Museum of Cinema (Italian: Museo Nazionale del Cinema) located in Turin, Italy, is a motion picture museum fitted out inside the Mole Antonelliana tower. It is operated by the Maria Adriana Prolo Foundation, and the core of its collection is the result of the work of the historian and collector Maria Adriana Prolo.
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Although in the early years of Italian Fascism modern art was tolerated and even embraced, towards the end of the 1930s, right-wing Fascists introduced the concept of "degenerate art" from Germany to Italy and condemned Futurism. Marinetti made numerous moves to ingratiate himself with the regime, becoming less radical and avant-garde with each.