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Rasa Renaissance is a movement in the art of painting that makes evocation of rasas (emotional moods) the prime aim in the creation and appreciation of a work of art. Rasa is the quality of emotional fulfilment that a work of art produces through the personalities, their expression and the situation presented in a painting.
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [24] [13] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [2] [3] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
Rasa means "flavour", and the theory of rasa is the primary concept behind classical Indian arts including theatre, music, dance, poetry, and sculpture. Much of the content of traditional Indian arts revolves around the relationship between a man and a woman. The primary emotion thus generated is Sringara.
Mumbiram is an Indian painter and author known for his leadership of the Rasa Renaissance art movement. He is best known for his renderings, in charcoal and color media, of the folk people of India in real-life situations.
Hence, he places the ninth rasa as a supreme among others as it is a means to attain mokṣa. [13] Similarly, some commentators argue that the emotion of detachment from all the associated sentiments and passions from the worldly desires as a stable emotion (nirveda) of this rasa, which ultimately leads to peace and tranquility. [14]