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Dragonball Z American Soundtrack Dragonball Z: Trunks Compendium I was the first release in the Dragon Ball Z American Soundtrack series of the anime Dragon Ball Z. The soundtrack was composed by Bruce Faulconer and was recorded at CakeMix Recording. It was released by Faulconer Productions Music on April 24, 2001.
1.4 Dragon Ball Kai. 1.5 Dragon Ball Super. ... This is a list of anime songs from the Dragon Ball franchise which have been released as singles. ... "Chao Han Music ...
Kenji Yamamoto (山本 健司, Yamamoto Kenji, born July 1, 1958) is a Japanese composer and arranger who has been responsible for producing and composing soundtracks, including opening and ending sequence themes for various anime, tokusatsu and video game projects in the 1980s, 1990s, and 2000s, mostly related to the Dragon Ball franchise.
[1] [2] The A-side is the first ending theme for the anime Dragon Ball Kai. The B-side is performed by Saki Oshitani, and was used as an insert song for Kai. The single remained on the Oricon charts for 8 weeks, peaking at #23. [3] [4] In 2010, when Kai was licensed by Funimation, they produced an English version of the ending, sung by Jerry ...
He performed the song with guitarist and composer Takafumi Iwasaki as part of a special unit also called "Dragon Soul". It was released on CD on May 20, 2009, as both a regular and limited edition; the limited edition included a Dragon Ball Kai Dragon Battlers trading card game card.
Dragon Ball Z: Kai is a recut and remastered version of the original DBZ anime, and includes re-recorded audio, and upscaled visuals. The remaster also cuts down heavily on filler, reducing the ...
Dragon Ball Z Hit Song Collection series (ドラゴンボールZ ヒット曲集, Doragon Bōru Zetto Hitto Kyokushū) is a soundtrack series from the anime Dragon Ball Z. It was produced and released by Columbia Records in Japan only, from July 21, 1989 to March 20, 1996 the show's entire lifespan.
Shunsuke Kikuchi (菊池 俊輔, Kikuchi Shunsuke, 1 November 1931 – 24 April 2021) was a Japanese composer who was active from the early 1960s until 2017. He specialized in incidental music for media such as television and film.
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