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Fan Zhongzheng (c. 960 – c. 1030), [3] [1] courtesy name Zhongli, better known by his pseudonym Fan Kuan (Chinese: 范寬; pinyin: Fàn Kuān; Wade–Giles: Fan K’uan), was a Chinese landscape painter of the Song dynasty. He was both a Daoist and a Neo-Confucianist. [4]
Chinese brides also used a type of moon-shaped tuanshan in traditional Chinese wedding called queshan. [6] The ceremonial rite of queshan was an important ceremony in Chinese wedding: the bride would hold it in front of her face to hide her shyness, to remain mysterious, and as a way to exorcise evil spirits. [6]
[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
9.2.3.3.2 Ton-Fan Art Group ... Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists.
Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
Historically, fans have played an important aspect in the life of the Chinese people. [44] The Chinese have used hand-held fans as a way to relief themselves during hot days since the ancient times; the fans are also an embodiment of the wisdom of Chinese culture and art. [45] They were also used for ceremonial purposes and as a sartorial ...
Princess Iron Fan and Sun Wukong. Painting in the Long Corridor of the Summer Palace in Beijing.. Princess Iron Fan (traditional Chinese: 鐵扇公主; simplified Chinese: 铁扇公主; pinyin: Tiěshàn Gōngzhǔ; Wade–Giles: T‘ie 3-shan 4 Kung 1-chu 3; Jyutping: Tit3sin3 Gung1zyu2) is a character from the 16th century Chinese novel Journey to the West.
Fan Tchunpi or Fang Junbi (Chinese: 方君璧; pinyin: Fāng Jūnbì; 1898–1986), was a Chinese artist known for her brush-and-ink paintings in the traditional guóhuà style. Trained in Western painting techniques while living in France, her work is known for its combination of European and Chinese formal elements.