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Vinyl, acetate, and shellac discs being exposed to soil and fungus spores. Library of Congress Study, 1959. The conservation and restoration of vinyl discs refers to the preventive measures taken to defend against damage and slow degradation, and to maintain fidelity of singles, 12" singles, EP’s, and LP’s in 45 or 33⅓ rpm 10" disc ...
Record restoration, a particular kind of audio restoration, is the process of converting the analog signal stored on gramophone records (either 78 rpm shellac, or 45 and 33⅓ rpm vinyl) into digital audio files that can then be edited with computer software and eventually stored on a hard-drive, recorded to digital tape, or burned to a CD or DVD.
Look for these things the next time you shop for vinyl records. ... 800-290-4726 more ways to reach us. Sign in. Mail. ... vinyl record enthusiast and music publicist.
Most noticeably, vinyl records are comparatively lightweight and flexible, while lacquers are rigid and considerably heavier because of their metal cores. Lacquers commonly come in three sizes: 10-inch (25 cm) discs for singles and 14-inch (36 cm) discs for albums as well as 12-inch (30 cm) discs for LP references and for 10" master cuts.
800-290-4726 more ways to reach us. Sign in. Mail. ... The best-selling LP of the year was Taylor Swift’s 1989, ... See the top 10 best-selling vinyl albums below: Taylor Swift – 1989 ...
The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.
Most sound recordings for records before the 1950s were made by cutting directly to a master disc. Recording via magnetic tape became the industry standard around the time of the creation of the LP format in 1948, and these two technological advances are often seen as being joined, although 78 rpm records cut from tape masters continued to be manufactured for another decade.
Two different ways of marking cut-out records on LP jackets. When LPs were the primary medium for the commercial distribution of sound recordings, manufacturers would cut the corner, punch a hole, or add a notch to the spine of the jacket of unsold records returned from retailers; these "cut-outs" might then be re-sold to record retailers or other sales outlets for sale at a discounted price.
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