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A plate from the 1742 deluxe edition of Richardson's Pamela; or, Virtue Rewarded showing Mr. B intercepting Pamela's first letter home to her mother. Pamela Andrews is a pious, virtuous fifteen-year-old, the daughter of impoverished labourers, who works for Lady B as a maid in her Bedfordshire estate.
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The novel is a sustained parody of, and direct response to, the stylistic failings and moral hypocrisy that Fielding saw in Richardson's Pamela. Reading Shamela amounts to re-reading Pamela through a deforming magnifying glass; Richardson's text is rewritten in a way that reveals its hidden implications, to subvert and desecrate it. [3] [4]
Pamela in Her Exalted Condition is Samuel Richardson's 1742 sequel to his novel, Pamela; or Virtue Rewarded. Richardson wrote the novel as a response to criticisms of his original work, continuations written by other authors, and readers' desire to read about the life of the protagonist, the 15-year-old former maid, Pamela, after her ascent ...
Among the most famous sentimental novels in English are Samuel Richardson's Pamela, or Virtue Rewarded (1740), Oliver Goldsmith's Vicar of Wakefield (1766), Laurence Sterne's Tristram Shandy (1759–1767) and A Sentimental Journey (1768), Henry Brooke's The Fool of Quality (1765–1770), Henry Mackenzie's The Man of Feeling (1771) and Maria Edgeworth's Castle Rackrent (1800).
Unlike Richardson's previous novel Clarissa, there is an emphasis on society and how moral characteristics are viewed by the public. As such, Grandison stresses characters acting in the socially accepted ways instead of following their emotional impulses. The psychological realism of Richardson's earlier work gives way to the expression of ...
Pamela announced her love for Peters in a poem: "Jon is the original ‘bad boy’ of Hollywood–no one compares–I love him deeply like family," she wrote. Then, 12 days later, the couple broke up.
Shares in Pamela, sold in sixteenths, went for 18 pounds each. [7]: 90 The first full biography of Richardson was written by Clara Linklater Thomson and published in 1900, and is credited with bringing "Richardson back into view as a major novelist at a time when he was no longer being read". [21] [22]