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Sonata No.1 in G major; Sonata No.2 in B♭ major; Sonata No.3 in D minor; 6 Violin Sonatas (WeiV Xa:8-13) String Trios: 6 Sonatas for 2 Violins and Cello, Op.12 1. Sonata in B♭ major; 2. Sonata in F minor; 3. Sonata in A major; 4. Sonata in E major; 5. Sonata in G major; 6. Sonata in E♭ major; 6 Sonatas for 2 Violins and Cello Op.17 (c ...
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Fantasia and Fugue in C minor, BWV 906, is a keyboard piece, likely unfinished, composed by Johann Sebastian Bach sometime during his tenure in Leipzig (1723–1750). The work survives in two autograph scores, one with the fantasia alone, and the other, believed to have been penned around 1738 in which the fugue is incomplete. [ 2 ]
The Capriccio on the departure of a beloved brother (Italian: Capriccio sopra la lontananza del suo fratello dilettissimo), BWV 992, is an early work by Johann Sebastian Bach, possibly modeled on the Biblical Sonatas of Johann Kuhnau. [1]
The combined length of the fantasia and the fugue is about eight minutes; [6] the fantasia is written in 6/4 time, while the fugue is in 2/2. The fantasia of the piece is quite lush and very ornate, consisting of two unequal halves that both feature the same two basic musical ideas, an imitative dotted-rhythm tune, and a leaping eighth-note form, which is also in imitation, initiated by the ...
The Suite in C minor, BWV 997, by Johann Sebastian Bach, [1] exists in two versions: BWV 997.1 – 1st version, composed before its earliest extant manuscript copy was written 1738–1741, for Lautenwerk (lute-harpsichord) [2] BWV 997.2 – 2nd version, for lute: the arrangement is not by Bach. [3]
In measure 11, a Secondary leading-tone chord is employed (namely, a diminished F ♯ seventh chord) to modulate and lead the ear to G minor, the dominant of the original key. Aside from a turn to G major but with a flattened 6th (mm. 34–38 and 42–43), and the reemergence of C minor (mm. 39–41), G minor tonality dominates
The prelude, in the key of C minor, has 28 measures and is in the time signature of 4 4. The prelude is not heavily ornamented, but it does contain a few trills. The piece is mainly made up of sixteenth notes and eighth notes and a few quarter notes and half notes. [3] Beginning of the Prelude in C minor, BWV 871.