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Allusion, or alluding, is a figure of speech that makes a reference to someone or something by name (a person, object, location, etc.) without explaining how it relates to the given context, [1] [2] so that the audience must realize the connection in their own minds. [3]
An ideophone, also known as a mimetic word or expressive, is any word in a certain word class evoking ideas in sound imitation (onomatopoeia) to express an action, manner, or property. The class of ideophones is the least common syntactic category cross-linguistically; it occurs mostly in African, Australian, and Amerindian languages , and ...
Auditory illusions are illusions of real sound or outside stimulus. [1] These false perceptions are the equivalent of an optical illusion: the listener hears either sounds which are not present in the stimulus, or sounds that should not be possible given the circumstance on how they were created.
Deutsch's scale illusion is an auditory illusion in which two series of unconnected notes appear to combine into a single recognisable melody, when played simultaneously into the left and right ears of a listener.
An example is the verse from Edgar Allan Poe's "The Raven": "And the silken sad uncertain rustling of each purple curtain." (This example also contains assonance around the "ur" sound.) Another example of consonance is the word "sibilance" itself. Consonance is an element of half-rhyme poetic format, sometimes called "slant rhyme".
For example, in digital components of lessons, there are often pictures, videos, and sound bites as well as the text to help students grasp a better understanding of the subject. Multimodality also requires that teachers move beyond teaching with just text, as the printed word is only one of many modes students must learn and use.
The example of flammable, having the same meaning as inflammable, is an example of analogical creation, as the word flammable has been created and added to the language system. Analogical maintenance occurs when a regular sound change is prevented from occurring on the basis of analogy.
Examples are the verbs with "Narten" inflection, and nouns like *mḗh₁-n̥s "moon", genitive *méh₁-n̥s-os. Alternations of this type were rare, however, and the e ~ o ~ ∅ alternation was the most common by far. The long ō grade was rarer still and may not have actually been a part of the ablaut system at all.