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The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
Tolkien describes Galadriel as "the mightiest and fairest of all the Elves that remained in Middle-earth" (after the death of Gil-galad) [T 1] and the "greatest of elven women". [T 2] The Tolkien scholar Tom Shippey has written that Galadriel represented Tolkien's attempt to re-create the kind of elf hinted at by surviving references in Old ...
This was later spelled Quenya (High-elven); it and Sindarin (Grey-elven) are the most complete of Tolkien's constructed languages. Elves are also credited with creating the Tengwar (by Fëanor) and Cirth (Daeron) scripts. [4] Tolkien's Elves are immortal, and remain unwearied with age, but can be killed in battle. Spirits of dead Elves go to ...
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The Elves of the Light, Tolkien's Calaquendi, are those who successfully complete the journey, while the Elves of the Darkness, the Moriquendi, are those Elves who, for whatever reason, do not arrive in Valinor. [14] [T 11] [15] Diagram of the Sundering of the Elves, showing Tolkien's overlapping classifications. The main division is into ...
The most famous bowman in Tolkien's stories of the First Age of Middle-earth is the Elf Beleg; his bow was named Belthronding, and his arrow Dailir. Infamously Curufin, a lord of the Noldor , attempts to shoot the Elf-princess Lúthien with the bow of his brother Celegorm .
Magic in Middle-earth is the use of supernatural power in J. R. R. Tolkien's fictional Middle-earth.Tolkien distinguishes ordinary magic from witchcraft, the latter always deceptive, stating that either type could be used for good or evil.
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.