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  2. B-flat major - Wikipedia

    en.wikipedia.org/wiki/B-flat_major

    B-flat major is a major scale based on B ... The scale degree chords of B-flat major are: ... Variations on "Là ci darem la mano" for piano and orchestra, ...

  3. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The numbers do not change when transposing the composition into another key. They are relative to the new Tonic. The only required knowledge is the major scale for the given key. Unless otherwise noted, all numbers represent major chords, and each chord should be played for one measure. So in the key of C, the Nashville Number System notation:

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad ...

  5. Piano Sonata No. 29 (Beethoven) - Wikipedia

    en.wikipedia.org/wiki/Piano_Sonata_No._29...

    The first movement in B ♭-major, marked Allegro, opens with a series of fortissimo B ♭-major chords, which form much of the basis of the first subject. After the first subject is spun out for a while, the opening set of fortissimo chords are stated again, this time followed by a similar rhythm on the unexpected chord of D major. [24]

  6. Bagatelles, Op. 33 (Beethoven) - Wikipedia

    en.wikipedia.org/wiki/Bagatelles,_Op._33_(Beethoven)

    The A section starts with the right hand playing a soothing melody, and the left hand accompanying it with broken chords. The B section, which starts with the key of E-flat minor, plays a simple melody, then modulates to the original key with the B-flat major scale and then the E-flat major scale, then back to the A section.

  7. Prelude and Fugue in B-flat major, BWV 866 - Wikipedia

    en.wikipedia.org/wiki/Prelude_and_Fugue_in_B...

    In the first two bars, it uses a four-note sequence which drops by a third every half-bar. This period ends with a perfect cadence in dominant key of F major. The second period uses a fantasia style and alternates between chords and scale progressions. The coda in bar 20 uses an extended arpeggio in the tonic that confirms the key of B-flat major.

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