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Korg N5: The N5 was introduced as a keyboard version of the Korg NS5R sound module [31] without expansion slot. Korg N1/N1R: The N1 is an 88-key (piano-action) synthesizer. It is the expanded version of the N5 with a larger sample ROM [32] for more AI2 voices and drum kits. In addition to the Korg voices, it provides full support for GM, GS and XG.
The Korg N264 and N364 keyboards were 76- and 61-key (respectively) music workstation synthesizers based on the AI2 (Advanced Integrated System) [2] synthesis engine, with eight megabytes of sample rom first released in 1996. They have 936 programs and combinations, featuring 430 Multisounds and 215 Drum sounds.
The Korg OASYS is a workstation synthesizer released in early 2005, 1 year after the successful Korg Triton Extreme. Unlike the Triton series, the OASYS uses a custom Linux operating system that was designed to be arbitrarily expandable via software updates, with its functionality limited only by the PC -like hardware.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. [1] [2] [3] It uses Korg's "HI (Hyper Integrated) Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been ...
The Korg M1 is a synthesizer and music workstation manufactured by Korg from 1988 to 1995. It is one of the bestselling synthesizers in history, selling an estimated 250,000 units. The M1 was widely used in popular music and stock music in the late 80s and early 90s.
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The two primary synthesis concepts designed into the Wavestation were Wave Sequencing and vector synthesis, the latter Korg dubbed "Advanced Vector Synthesis".Although the Korg Wavestation was the first keyboard that used Wave Sequencing, its roots can be traced back to the preceding variations of wavetable-lookup synthesis, including the multiple-wavetable synthesizers [6] realized as PPG ...
[1] [2] It introduced an analog-style interface for controlling FM sounds and could play different patches on each of its eight voices, marking it as Korg's first multi-timbral MIDI synthesizer. Accompanying its launch was the Korg 707, a more portable version of the DS-8, lacking digital effects but equipped with strap pegs for keytar performance.
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