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Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. [2] The movement Seurat began with this technique is known as Neo-impressionism.
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
Works in Oil and Pastel by the Impressionists of Paris, American Art Association, New York, April and May 1886. Organised by Paul Durand-Ruel. Impressionist exhibition, Paris, 15 May–15 June 1886 Un dimanche après-midi à l'Île de la Grande Jatte shown for the first time. Salon des Indépendants, Paris, 21 August–21 September 1886
This is a list of notable paintings by Georges Seurat (2 December 1859 - 29 March 1891). He is a Neo-Impressionist painter and together with Paul Signac noted for being the inventor of pointillism. [1] The listing follows the 1980 book Georges Seurat and uses its catalogue numbers. [2]
The work is constructed with brilliant hues of blues and greens juxtaposing one another. When standing close to the painting, the only discernible features are the brush strokes; this technique of painting was labeled, Pointillism, by Seurat. Artists using this technique along with Seurat became known as Neo-Impressionists. [1]
Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots of pure color, intended to combine and blend not on the canvas, but in the viewer's eye, the defining feature of Pointillism. The Mediterranean coast is a major theme across Signac's paintings. [5]
Maximilien Luce (French pronunciation: [maksimiljɛ̃ lys]; 13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, graphic art, and his anarchist activism. Starting as a wood-engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to ...
The Western Railway at its Exit from Paris, 1886, oil on canvas, 73 x 92 cm Couple in the street, 1887, Musée d'Orsay, canvas, 38.5 x 33.0 cm. Angrand's Impressionist paintings of the early 1880s, generally depicting rural subjects and containing broken brushstrokes and light-filled colouration, reflect the influences of Claude Monet, Camille Pissarro, [4] and Jules Bastien-Lepage. [2]
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