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The Tale of Genji by Lady Murasaki, written in 11th-century Japan, was considered by Jorge Luis Borges to be a psychological novel. [4] French theorists Gilles Deleuze and Félix Guattari, in A Thousand Plateaus, evaluated the 12th-century Arthurian author Chrétien de Troyes' Lancelot, the Knight of the Cart and Perceval, the Story of the Grail as early examples of the style of the ...
Psychological drama, or psychodrama, [1] is a subgenre of drama and psychological fiction literatures that generally focuses upon the emotional, mental, and psychological development of the protagonists and other characters within the narrative, which is highlighted by the drama.
Novels can, on the other hand, depict the social, political and personal realities of a place and period with clarity and detail not found in works of history. Several novels, for example Ông cố vấn written by Hữu Mai, were designed to be and defined as a "non-fiction" novel which purposefully recorded historical facts in the form of a ...
Science Fantasy or Sci-Fan, is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy.[1] In a conventional science fiction story, the world is presented as being scientifically logical, while a conventional fantasy story contains mostly supernatural and ...
This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Novellas are works of prose fiction longer than a short story but shorter than a novel. Several novellas have been recognized as among the best examples of the literary form. Publishers and literary award societies typically consider a ...
In literary criticism, a bildungsroman (German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːn], plural bildungsromane, German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːnə]) is a literary genre that focuses on the psychological and moral growth of the protagonist from childhood to adulthood (coming of age), [1] in which character change is important.
The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story.
Some of these movements (such as Dada and Beat) were defined by the members themselves, while other terms (for example, the metaphysical poets) emerged decades or centuries after the periods in question. Further, some movements are well defined and distinct, while others, like expressionism, are nebulous and overlap with other definitions.