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A stereo transparency viewer is a type of stereoscope that offers similar advantages, e.g. the View-Master. Disadvantages of stereo cards, slides or any other hard copy or print are that the two images are likely to receive differing wear, scratches and other decay. This results in stereo artifacts when the images are viewed.
Tru-Vue, a subsidiary of Rock Island Bridge and Iron Works, was a manufacturer of stereoscopic filmstrips and corresponding stereoscope viewers, based in Rock Island, Illinois, from 1932 to 1951 and in Beaverton, Oregon, from 1951 until the late 1960s.
The Keystone View Company was a major distributor of stereographic images, and was located in Meadville, Pennsylvania.From 1892 through 1963 Keystone produced and distributed both educational and comic/sentimental stereoviews, and stereoscopes.
It was successful at first, but the line was discontinued in ten years. This line spawned the Model D viewer, View-Master's highest-quality viewer, which was available until the early 1970s, and the Stereomatic 500, View-Master's only 3D projector. [1] The other projectors were 2D and used only one of the images.
In the mid-1850s, Williams contracted with the London Stereoscopic Company to publish his images. The LSC published the work of many eminent stereo photographers, including William England, and was able to mass-produce his works, which helped meet growing demand for his prints. [12] The LSC published three stereoscopic series by Williams.
Stereoscopy creates the impression of three-dimensional depth from a pair of two-dimensional images. [5] Human vision, including the perception of depth, is a complex process, which only begins with the acquisition of visual information taken in through the eyes; much processing ensues within the brain, as it strives to make sense of the raw information.
The Kodak Stereo Camera was a 35mm film stereo camera produced between 1954 and 1959. Similar to the Stereo Realist , the camera employed two lenses to take twin shots of scenes, which could then be viewed in dedicated image viewers.
Meaning "the butterfly," le Papillon was a small French stereo camera which made 45 mm × 107 mm (1 + 3 ⁄ 4 in × 4 + 3 ⁄ 16 in) stereoscopic images on glass plates in single plateholders. [ 5 ] No. 00 Cartridge Premo Camera, 1916–1922
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