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Pendet dancers offering a greeting. The original Pendet dance is performed by 4-5 young pre-pubescent girls in the yards of Balinese Hindu temples. Pendet is the presentation of an offering in the form of a ritual dance. Unlike sacred ritual dances that demand arduous training, Pendet may be danced by anyone, taught simply by imitation.
Javanese dance (Indonesian: Tarian Jawa; Javanese: ꧋ꦠꦫꦶꦗꦮ, romanized: Beksan Jawa) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate, and refined.
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
Gambyong (Javanese: ꦒꦩ꧀ꦧꦾꦺꦴꦁ) is a traditional Javanese dance originating from Surakarta, Central Java, Indonesia.It has existed since ancient times, and began to be displayed at the Mangkunegaran Palace in the era of 1916 to 1944.
Picture of Topeng dance performance accompanied by gamelan in Damar Wulan Manuscripts, 1770-1795 AD. A collection of the British Library. Topeng (from Balinese: ᬢᭀᬧᬾᬂ; Javanese: ꦠꦺꦴꦥꦺꦁ, romanized: topèng; [1] Sundanese: ᮒᮧᮕᮨᮔᮌ) is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional ...
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Singo Ulung performance in village. Singo Ulung is a masked dance art using barongan, which is the traditional art of Bondowoso regency that is usually performed at the annual anniversary of Bondowoso.
To create what would become panyembrama, Beratha combined the most beautiful moves of traditional dances such as legong, condong, and pendet. [ 2 ] [ 5 ] [ 6 ] Ethnomusicologist Zachar Laskewicz writes that the continued inspiration of these dances allows similar texts to be interpreted from the panyembrama performance. [ 7 ]