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Strayhorn himself returned to the piece, recording it as an unaccompanied piano solo on his 1961 album The Peaceful Side. Another version appears on the posthumously released album Lush Life, issued by the Red Baron label. In 1958, lyrics were written for the song by Bill Comstock, a member of The Four Freshmen for the group's album Voices in ...
"Naima" (/ n aɪ ˈ iː m ə / ny-EE-mə) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs. Coltrane first recorded it for his 1959 album Giant Steps, and it became one of his first well-known works.
1932 78 release on Brunswick Records as 6454. 1932 sheet music cover, Lawrence Music, New York. "I Don't Stand a Ghost of a Chance With You" is a 1932 song recorded by Bing Crosby with Orchestral Accompaniment. The music was composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. The song is a jazz and pop standard that ...
"Oleo" is one of a number of jazz standards to be based on the same chord progression as that employed by George Gershwin's "I Got Rhythm", [3] also known as a musical contrafact. [4] Its melody has "become one of the standard rhythm changes melodies used by jazz musicians". [5]
Bill Evans performing at the Montreux Jazz Festival in 1978. Mastering the various chord voicings—simple to advanced—is the first building block of learning jazz piano. Jazz piano technique uses all the chords found in Western art music, such as major, minor, augmented, diminished, seventh, diminished seventh, sixth, minor seventh, major seventh, suspended fourth, and so
A ghostly presence was captured on an English ghost hunter's camera, which was installed to discover the truth behind an eerie phenomenon - a piano playing entirely by itself.
The Specter of Ebenezer Crabbe and The Ghost of Netty Crabbe September 11, 1976 When Fred, Shaggy, and Scooby get jobs on a construction crew, they discover that the building site is haunted by the specter of Ebenezer Crabbe, a supposed sorcerer whose house used to stand on the construction site. Red Sparks & Jim Rivets SDD-2
In music, four note group patterns, alternately called "four-note digital patterns" [1] or simply "four note patterns", are one of many ways to formulate improvised solos in jazz. "Four-Note Grouping is an improvisation technique that uses major and minor triads along with specific passing notes as a means of generating lines.