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On a cello, the strings are attached to the tailpiece and are held above the soundboard by the bridge.. A bridge is a device that supports the strings on a stringed musical instrument and transmits the vibration of those strings to another structural component of the instrument—typically a soundboard, such as the top of a guitar or violin—which transfers the sound to the surrounding air.
The bridge holds the strings above the cello and transfers their vibrations to the top of the instrument and the soundpost inside (see below). The bridge is not glued but rather held in place by the tension of the strings. The bridge is usually positioned by the cross point of the "f-hole" (i.e., where the horizontal line occurs in the "f").
In music pieces, con sord means "with mute" in Italian, and senza sord means "without mute". The mute is a device that is typically made of rubber, and serves to dampen the vibrations on string instruments. On the cello, it can be clipped on the bridge when needed, and can be taken off and attached to the strings below the bridge when not in ...
For much of the 20th century, the Hill workshop employed England's best bow makers, who created bows renowned for character and consistency. Hill violins, cellos and cases are also highly regarded. Their other products included varnish cleaner, violin e-strings, rosin, peg paste, music stands, chinrests, and specialist tools.
An acoustic cello can be fitted with a bridge or body mounted contact pickup providing an electric signal, or a built-in pickup can be installed. A few pickups work by other principles like magnetic coil guitar type needing steel strings to work, or by an unusual pickup system [ 1 ] employing the string itself as a linear pickup element, thus ...
For Stephanie (2006) for string quartet; First Scenes from Red Room (2006) for violin and piano; From Maldoror (2003) for flute, oboe, piano and narrator; I Conquered Egypt (2000) for piano trio; Let Me Out (1999) for timpani, cello and bass clarinet; Live ‘Til Twilight (1999) for cello and piano; Fast Living (1999) for cello and percussion
During the same period Bridge completed two of his most successful chamber works, the Second String Quartet and Cello Sonata. [16] Bridge's idiom in the wartime works tends towards moderation, but after the war his language developed significantly, building on the experiments with impressionist harmony found in the wartime piano and orchestral ...
Like standard cellos, its four strings are also tuned (from low to high) C-G-D-A; it also uses standard cello strings. Unlike most other musical instruments in the huqin family, the bridge does not contact the snakeskin drum head, which faces to the side. Instead the bridge is connected to a mechanism inside the body that touches the drum head.
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