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The Foundling Hospital Anthem (HWV 268), also known by its longer title "Blessed are they that considereth the poor" , [a] is a choral anthem composed by George Frideric Handel in 1749. It was written for the Foundling Hospital in London and was first performed in the chapel there. Handel wrote two versions, one for choir only and one for choir ...
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
While the chromatic harmonica is capable of playing in all keys, it does have limitations. [5] For example, while chromatic harmonicas can "bend" notes down in pitch, as a single-reed bend it sounds quite different from the typical dual-reed bend of a blues harp, and can only bend downward by a semi-tone.
Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. 2 Zahn Zahn number of the chorale melody. When the data in the Zahn column starts with N that ...
The pipe was generally made of wood with a square bore, and the plunger was leather-coated. On this plunger are marked the notes of either the chromatic scale or the diatonic scale, and by setting it to the correct position, the indicated note will be produced when the instrument is blown. Pitch pipes come in all sorts of shapes and sizes.
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Three songs and a trio written as part of a private arrangement of John Milton's masque Comus. [2] 45 Alceste: Not performed A masque which was written for an unproduced play by Tobias Smollett. Music composed between December 1749 and January 1750. 218 Love's but the frailty of the mind: 17 March 1740 Drury Lane Theatre, London
The book assumes no prior knowledge of music and teaches the notes, scales and techniques involved in playing the chromatic harmonica, using popular folk tunes as demonstration pieces. [7] Despite his own career focus on classical music, he enjoyed a wide range of folk music and ethnic music from around the world.