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Etude in F Minor, Op. 10, No. 9: (bars 28-30) Charles Ives; The Unanswered Question (solo trumpet part) Julian Cochran; Piano Sonata No. 1 (1st mov.) [2] [self-published source] Fire Dance [2] Animation Suite, Tin Sentinel [2] Animation Suite, Clockwork Doll [2] Trio for violin, oboe and piano, Artemis (2nd mov.) [2] Prelude No. 9 [2] [3 ...
In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale, or pitch collection; which loosely serves as the harmonic and melodic basis for some of the later pieces by Russian composer Alexander Scriabin. Scriabin, however, did not use the chord directly but rather derived material from its transpositions.
[15] Luther also adapted the music of existing plainsong melodies as hymn tunes. Families enjoyed singing hymns in parts in their homes, for the family's enjoyment and edification, but unison singing was the custom in church. [16] The Reformed Church and the (French) Genevan Psalter were the result of work by John Calvin (1509–1564). His ...
A Christmas Carol − So now is come our Joyful'st Feast − Unison song for voices and piano (1958) A Hymn for St. Cecilia for SATB & Organ (1960) Coventry Antiphon for SATB & Organ (1961) A Sequence for St. Michael for SATB & Organ (1961) Take Him, Earth, for cherishing − Motet in memory of J. F. Kennedy, for SATB unaccompanied (MS dated ...
Children's hymns and songs by Joseph Kennel (1924) [611] The Sheet Music of Heaven (Spiritual Song); The Mighty Triumphs of Sacred Song (1925) by Clayton F. Derstine [612] [613] Church hymnal, Mennonite, a collection of hymns and sacred songs, suitable for use in public worship, worship in the home, and all general occasions (1927) [614]
Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. 2 Zahn Zahn number of the chorale melody. When the data in the Zahn column starts with N that ...
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In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.