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"Dejection: An Ode" is a poem written by Samuel Taylor Coleridge in 1802 and was published the same year in The Morning Post, a London daily newspaper.The poem in its original form was written to Sara Hutchinson, a woman who was not his wife, and discusses his feelings of love for her.
20th-century literary critics often categorise eight of Coleridge's poems (The Eolian Harp, Reflections on having left a Place of Retirement, This Lime-Tree Bower my Prison, Frost at Midnight, Fears in Solitude, The Nightingale: A Conversation Poem, Dejection: An Ode, To William Wordsworth) as a group, usually as his "conversation poems".
A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796 [Note 9] Monody on the Death of Chatterton. "O what a wonder seems the fear of death," 1790-1834 1794 The Destiny of Nations. A Vision "Auspicious Reverence! Hush all meaner song," 1796 1817 Ver Perpetuum. Fragment from an ...
As Paul Magnuson described it in 2002, "Abrams credited Coleridge with originating what Abrams called the 'greater Romantic lyric', a genre that began with Coleridge's 'Conversation' poems, and included Wordsworth's Tintern Abbey, Shelley's Stanzas Written in Dejection and Keats's Ode to a Nightingale, and was a major influence on more modern ...
Pages in category "Poetry by Samuel Taylor Coleridge" The following 35 pages are in this category, out of 35 total. ... Dejection: An Ode; The Destiny of Nations;
Poems by S. T. Coleridge "Dedication, to the Reverend George Coleridge" "Ode on the Departing Year" "Monody on the Death of Chatterton" "Songs of the Pixies" "The Rose" "The Kiss" "To a Young Ass" "Domestic Peace" "The Sigh" "Epitaph on an Infant" "Lines on the Man of Ross" "Lines to a Beautiful Spring" "Lines on a Friend" "To a Young Lady with ...
Later, he develops this transition further in his poem "Dejection". The ode form allowed Coleridge to create stand alone stanzas that create contrasts with other stanzas, and the reliance on a speaker within the poem provides a psychological dimension to these changes. [26]
During Coleridge's 1793 summer vacation from Christ's Hospital, he stayed with his family members in Ottery St Mary, Devon. [1] Both "Songs of the Pixies" and the smaller "To Miss Dashwood Bacon", written during this time, refer to The Pixies' Parlour, a place near Ottery and to events taking place during Coleridge's vacation: the locals during that time dubbed Miss Boutflower as "fairy queen ...