Search results
Results from the WOW.Com Content Network
The following is a list of works in stained glass designed by the English artist John Piper, listed chronologically. Already an established artist, Piper began designing for stained glass in the 1950s, working in partnership with Patrick Reyntiens , who manufactured the large majority of Piper's realised designs over a period of 30 years.
John Egerton Christmas Piper CH (13 December 1903 – 28 June 1992) was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. . His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen prints, photography, fabrics and cerami
Created Date: 8/30/2012 4:52:52 PM
John Kay Et, (caricatures) John Hamilton Mortimer Et (caricatures) Richard Newton Et, Aq (caricatures) Piercy Roberts Et, En, Me (caricatures) Thomas Rowlandson Et, Aq (caricatures) Paul Sandby Et (landscapes) F.Sansom Et (caricatures) Robert Sayers Et (caricatures) John Keyse Sherwin Et, En, Me (portraits) John Raphael Smith Et
The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated.
Buffalo Print Club 1931 Prairie Print Makers Wichita, Kansas 1931 Brooklyn Society of Etchers Brooklyn, New York City, New York becomes Society of American Etchers 1931 Haden Etching Club 1932 Syracuse Print Club 1932 Woodcut Society 1933 Society of Washington DC Etchers Washington, D. C. 1933 Print Club of Albany 1934
1915 – A small group of printmakers, including Blanche Lazzell, formed the Provincetown Printers, a "pioneering woodblock print society-- the first of its kind in America". The group developed a new form of woodblock printmaking known as the Provincetown print or white-line woodcut. [ 7 ]
It attracted international members and was successful at popularizing etching in 20th-century America. [3] Society members pooled funds for annual prizes for new prints, to be gifted to the Art Institute, and tithed ten percent of their dues to the museum for new print acquisitions. The group disbanded in 1956. [4]